By Amy
I was waiting for the bus at night in the South Park Blocks, in the glow of an old-fashioned streetlamp. The earliest traces of autumn rode in on the wind, seeping through my summer clothes and chilling me to the core—the warm, sunny afternoon had tricked me into leaving my sweater at home. Pacing back and forth with my arms crossed, I tried to stay warm.
My bus appeared, at least seven minutes late. At least I thought it was my bus, but its sign said CENTER GARAGE instead of the line number and the destination. As it came closer, I recognized the scowling brunette behind the wheel as the usual bus driver at this time on the route.
She saw me on the curb, and shook her head no while making a slicing gesture at her neck with her hand, like a mechanic signaling to another to cut the ignition, or a bartender telling a drunk no more, you are cut off. Then she blasted right past me.
Now, you have to understand, my previous experiences with this driver have not exactly been pleasant. But they haven't been so unpleasant that I'd go out of my way to report her to TriMet in hopes that she loses her job—it's not that serious. But I do have a few minor complaints.
For one, I don't like the way she drives. She brakes too hard and too late, as if red lights were annoying afterthought instead of a crucial means of controlling traffic. If I'm sitting, I brace myself to keep from shattering my kneecaps on the seat ahead, or if I'm standing, I have a death grip on the pole to stay upright.
And another thing: either TriMet has assigned her a bus with no shock absorbers, or she manages to roll over every single bump and pothole possible on the road. When I used to work on a Forest Service fire crew, we'd tell our co-workers with this driving habit to pay attention to where they're going and "stop hammering our kidneys."
She also annoys the hell out of me by speaking at a volume that only a woman who has mothered at least three children can achieve—the telltale shout used for herding kids. She sounds like Ethel Merman, had the legendary Broadway singer been a drill sergeant. For example:
To a driver who nearly T-boned us: "Can't you see the sign says yield YOU STUPID IDIOT."
To a bicyclist: "I told you FIVE TIMES to turn your bike the other way on the rack. WHY DIDN'T YOU LISTEN TO ME THE FIRST TIME?"
To a hippie girl boarding the bus: "Sweetheart, if you stand back in the darkness like that I CAN'T SEE YOU." (To which the girl replied: "I'm not your sweetheart.")
On the other hand, she deserves props for not holding a grudge. One night, after I had rung the bell, she drove past my stop, which I confess is nearly completely hidden by trees. "HEY, THAT'S MY STOP!" I shouted, completely overreacting, but maybe subconsciously mimicking her trademark yell. The following night, although her bus was noisy and crowded with teenagers, she went out of her way to shout "GOOD NIGHT, DEAR," to me as I exited the back door, no trace of sarcasm in her voice at all.
On a different night, a homeless man boarded. As he balanced a halfway-smoked, snuffed-out cigarette on his bottom lip, he proceeded to search his pockets one by one for his transfer. He checked his jacket pockets; his shirt pocket; the front, back and leg pockets of his cargo pants, and then he moved on to the half-dozen or so bags he was carrying. The driver set the emergency brake and waited with her arms crossed in back of her head, as though she were sunning herself in Cabo, while he dug through his belongings. I seethed in my seat. Why doesn't she kick him off? This fool is just pretending to have a transfer. He's trying to break her down so he can get a free ride. After no forward motion for five minutes, which in TriMet time is 20 minutes, the man shouted "Aha!" and had held up the tiny slip of paper for her to see.
So if she could be so nice to Sir Many Pockets, why did she leave me shivering and alone in the Park Blocks? What a stone-cold bitch.
I flipped open my cell phone and called the transit tracker. The mechanized white male voice on the other end told me the next bus would arrive in 26 minutes. I cursed the voice and hung up. During the wait time, I marched down to the Safeway and bought a half-gallon of milk and a six-pack of beer.
When I left the store, my bus was just pulling up. I boarded. A burly young man was driving. I told him my regular driver failed to stop for me earlier. "What gives?" I asked.
"She had a customer-caused accident," he said. "I'm a fill-in driver."
I thought about possible scenarios. After so many near-misses with merging cars, did she finally get in a wreck? Did a fight break out on the bus? Did it involve guns? Did the stress become too much for her and she just up and quit?
"You could say she was in a hurry to change her uniform," the driver said.
"You mean someone vomited on her?"
"Yep," he said. "That's one of the risks you take with this job. Especially tonight, with the holiday weekend just starting. Lots of crazies out there."
Vomited on by a stranger. She didn't deserve that. Nobody deserves that. She was just trying to drive a bus, for Chrissakes. Make some money to pay her bills, like everybody else. I tried to imagine how I'd feel if someone on the bus barfed on me, or if someone leaned over my cubicle wall at work and let it fly.
I felt ashamed that I was so quick to make her the target of my anger. Who really was the impatient person here, the one quick to judge? In my heart of hearts, I knew the answer: I was the true bitch of the bus.
P.S. St. Christopher, the patron saint of bus drivers, please keep our TriMet operators safe.